Monday, July 24, 2006

Albums they missed

From the MeFi thread. Someone asked for brief descriptions about each of these "influential" albums.

Suicide— s/t

This, along with the Silver Apples, was one of the first "synthesizer" albums, and definitely the first "New York" synthesizer albums. Urban, dark, decadent and, well, dancy. Without this, no Joy Division.

Lou Reed— Metal Machine Music

Noise kills record contracts dead. The first noise album on a major label, and a huge influence for people constructing cacophonics. Without this, no Einsturzende Neubauten.

Christian Marclay— Record Without Grooves

Vinyl played wrong. Without this, many people wouldn't see the turntable as an instrument all unto itself.

Miles Davis— Bitches Brew

People like to talk about the studio as instrument and laud The Beatles and Beach Boys. This is where you could take it if you weren't trying to accomodate a bunch of music hall bullshit.

John Coltrane— A Love Supreme

Coltrane's influence in saxophone players is a hard thing to quantify, in that a lot of people would love to play like him but can't (me, especially). This album is both accessible and mindblowing, and solidified a lot of the ideas of modern/free jazz while not being Om (which is great, but is not for passive listening).

La Monte Young— Well Tuned Piano

Young's drone work was an important influence on Krautrock and all minimal avant garde, including Phillip Glass.

John Cage— 4'33"

Karlheinz Stockhausen— Kontakt

One of the first compositions to combine live performers with electronics and tape loops, Stockhausen laid some of the foundation for things like DAT triggering. It's also good to listen to.

Edgard Varese— Poem Electronique

More avant electronics. Le Corbusier commissioned this tape piece from Varese as part of an architectural multimedia installation, and it pushed the conceptual boundaries of electronic composition. Varese was aided by Le Corbusier's assistant Iannis Xenakis, who became one of the most famous of the electro-minimal composers.

Raymond Scott— Powerstation

Raymond Scott's Looney Tunes work permeated the dreams of a generation. Maybe not as influential in terms of, well, being an album, but his use of odd instrumentation and experimental effects can be traced down to bands as diverse as the Mothers of Invention to Lighting Bolt.
Charles Mingus— New Tijuana Moods

The American middle ground between Modern jazz and Latin jazz.

Thelonius Monk— Brilliant Corners

I said s/t when I was running through things from the top of my head, but I should have said this one. Syncopated, abrupt, jarring, nimble, quick. Art Blakey's the sax and this 1956 disc is another that changed how composition was considered.

The Raspberries— Fresh

Power pop started around here somewhere, and the 1972 Rasberries wanted to be the 1969 Nazz (or maybe Badfinger). Either way, they got close enough.

Big Star— #1 Record

This album is probably the biggest omission. Without it, no REM, no Cheap Trick, no power pop as we know it.

Minor Threat— Minor Threat

xxstraightedgexx! Hardcore punk's best and most influential album.

Rites of Spring— End on End

I don't really like emo, but this is where it comes from.

Fugazi— Repeater

Once upon a time, emo was really more "post-hardcore." This is post-hardcore at its finest. Another one of those "without them, no Lightning Bolt" sort of bands.

Husker Du— Zen Arcade

More post-hardcore. But seriously, without them, no My Chemical Romance or any of the other soft post-emo bands. (Don't let that count against Husker Du...)

Wire— Pink Flag

Post-punk at its tightest. These guys were huge influences on REM and most of indie rock.

Wire— Chairs Missing

And they kept changing. The indie-meets-electronic stuff they're doing here (which had been preceded by Suicide above) is just now starting to crest. No Franz Ferdinand, no Futureheards, no Bloc Party without this album.

Gang of Four— Entertainment

The funky side of post-punk. No TV on the Radio, no Franz Ferdinand, no Bloc Party.

I'll get to the rest of them later...

Monday, July 17, 2006

For the AskMes

These take a little bit of self-assembly, in that I haven't found a good Mac (free) program to make .m3u files with.
As such, here's the "correct" order:

"Another Offload*FIXED* (hopefully)

Esp Black Mass
Cars Kool G Rap & DJ Polo
Punk Under Pressure Kadie Red
I Need A Freak Sexual Harrassment
Closet Freak Cee-Lo
Don't Lose Control Material
(Just Like We) Breakdown Hot Chip
Do Ya Electric Light Orchestra
Affentanz Abwärts
a1-limited entertainment Glaxo Babies
I Bet You Funkadelic
Dark Skin Girls Del Tha Funky Homosapien
Needy Girl (Bloc Party Remix) Chromeo
Heavy Rotation Cobra Killer
Where You Headed? DJ Jubilee
Game Over (Feat Jay Dee And Phat Kat) Dabrye

"Jazzbo Wrong"

04 1 Baroque Jazz Trio
01 Merry-Go-Round TERUMASA HINO
My Very Own Sweetheart Heavy Balloon
Track 10 Embermen Five
Minikillers I Johnny Teupen
A Hidden Trap Cosmos Factory
What's The Name Of Your School? DJ Jubilee
Corn Fish Dub Lee "Scratch" Perry
Dom (Electricity Elects The Rain 39 Clocks
Happy Girl Who Made Who
Program Me Bruce Haack With Ed Harvey
Killer Man Jaro Dillinger
Don`t Take Another Man`s Life Ranking Dellinger
Deshominisation (I) Alain Goraguer

Memorial Day Party.

Her_story Flying Lizards
Saturday Night Langley Schools Music Project
Bored [1978] Destroy All Monsters
Skin Tight Skin Suzi Quatro
Bad Reputation The dB'S
Hearts In Exile Homosexuals, The
Dub It (Nice and Easy) Upsetters
Cool Stroker Prince Buster & The All Stars
Handa Wanda Bo Dollis & The Wild Magnolia Mardi Gras Indian Band
50 Ways Kool Moe Dee
Neck, the Kent And The Candidates
Dance This Mess Around B-52's, The
Back Seat Love Nikki and the Corvettes
Hey Girls The Avatars
11 59 Blondie
I Know You Love My Synthesizers Charlie Slick
Eric B. Is President Eric B & Rakim
Poney Part 1 Vitalic
Are Friends Electric Gary Numan

Thursday, July 06, 2006


Hey y'all, both of ya.
I'm working for cousinsvinyl now. Not a whole lot up there, but at least a little. Boom!