Weekend link dump

Was Edward IV illegitimate?

Pink hair was hip in the '20s and early '60s.

Bad Indians, a swirly, shimmery indie band from Ann Arbor.

TEETH make a mix for Vice, including Marble Mummy (another Michigan fave).

Ten inconvenient truths about the debt ceiling from Crooks And Liars (with lots of graphs).

Lil Weezy "I Took Her. (Just jump into the playlist.)

What Wisconsin is really about

Kevin Drum runs through a brief modern history of labor and the left, why the working class is alienated, and what that means.

Excellent essay on the history of Ketchup

"Ketchup" traced through linguistic history

Oh, the internet

I was trying to remember a song that was on a mixtape my friend Chiann made for me years ago, by the band Flashing Lights. I was churning through google results and came on this:

jardine 01-14-2002 05:24 PM
A side
1. Future Bible Heroes -- I'm Lonely (and I Love It)
2. Sloan -- Chester the Molester
3. Of Montreal -- The Miniature Philosopher
4. Belle and Sebastian -- She's Losing It
5. Ashley Park -- Lucy and the Bourgeoisie
6. The Salteens -- Bubba Da
7. The Underdogs -- Punkrocker (live)
8. Eric's Trip -- Kiss Me on the Head
9. Lali Puna -- Together in Electric Dreams (Human League cover)
10. Mercury Rev -- Boys Peel Out
11. Modest Mouse -- Custom Concern
12. The Magnetic Fields -- In My Car
13. Pink Martini -- Que Sera Sera
14. Liquid Plumber -- Pants and Anti-Pants

B side
1. Milch -- Es gibt kein geregeltes Leben
2. Elevator To Hell -- Veins/Green
3. Hydroplane -- Wurlitzer Jukebox
4. The Get-Up Kids -- My Apology
5. Apples in Stereo -- What's the #?
6. They Go Boom!! -- Sunnyday-A-Go-Go
7. Momus -- The Most Important Man Alive
8. Shoestrings -- untitled demo
9. Tara S'Appart -- Beautiful Dreamer
10. The 6ths -- Puerto Rico Way
11. Rufus Wainwright -- Cigarettes and Chocolate Milk (reprise)
12. The Flashing Lights -- Elevature
13. Dabrye -- Hyped-up Plus Tax (rudely cut off)

This is the tape, and it is awesome. Apparently, Chiann posted the track list onto the Giant Robot forum back in 2002. Sometimes, I love the internet.

How Sha Na Na created the '50s

In this great feature by George and Robert Leonard (unfortunately constrained by third-person patina), two members of Sha Na Na talk about how they essentially created the image of the '50s that much of later pop culture (Happy Days, Grease) has been based on.

In it, they link other ersatz historical conceptions, such as the Scottish Highlander or Tokyo's sukiyaki, and Voltaire's concept of history being defined by what people want from the past.

But the most interesting thread to me is the connection of Sha Na Na to the rise of the Reagan Republicans, who latched onto the idyllic '50s image of sock hops and malteds (disturbed only mildly by working-class greasers) in a bid to reinvent a fairly frightened and ghastly decade of American society.

It is this image that cultural conservatives still seek to return to, and I think the challenge of those of us who consider ourselves progressives is to articulate both why the past is so distasteful (cold war bomb drills, segregation, limited rights for women, etc.) and why the future can be better by having space for competing visions of progress. I think that this goes against both the critical impulse to focus always on injustice and the generally pessimistic worldview of liberals—I know that a large part of my support for Obama doesn't come from truly believing that he'll make things better, but rather that he will avoid making things worse. But that won't convince people who truly believe that the past WAS better—there needs to be an alternate vision.

These are the breaks

Need a history of hip hop? Year by year breakdowns. Just did a paper on hip hop's concept of ownership being tied to its development as an oral culture, and these would have been priceless. It's fucking sweet, chiefs.
via ILX.