When we first moved in, the neighbor downstairs was having an emotional time.
He'd sit out on his step in a folding chair, right below our apartment, and cry inconsolably while singing along to ranchero music that he played from inside his empty apartment. We'd walk past him any time we came to or from the car, and studiously not make eye contact. Because what do you say to your sobbing neighbor when the most you can make of their language is a faux cognate soup of embarrazados? And he had an unwavering preference for staring over talking, so that he'd watch every time we pulled the car out, or walked past, which made me feel like I was in the presence of a middle school principle, but when I'd tried to introduce myself, he'd blankly fix guileless eyes on me and just not reply. He made me feel profoundly awkward, so there was no way that I was going to ask this stranger why he was sobbing.
One of our other neighbors said he was singing only to songs about women leaving men, she thought that was what happened to him. It went on for months, every night. He'd sit in a denim shirt with blue jeans, white straw hat cocked up, and tall leather boots, and as sympathy for suffering turned into resentment over the intrusion of straight pathos into the common area, and the inability to deal with it in our Spanish or his English, we started calling him the Crying Cowboy.
But after six months or so, he got over it. First his family started coming over, then some new woman, then some new woman and his family all at once. They'd barbeque under our window, and we'd say through the smell of lighter fluid, "Well, at least he's not sobbing endlessly every night." We still hadn't talked about our respective mustaches — mine part of a beard set, his just a gray Tom Selleck thing — but he opened up a little. He came to our door once when his apartment was flooding because three upstairs apartments all drain through it and it had been raining for days, so the downstream sewer was blocked. That was the only time he ever introduced himself and told me his name, and I wish I had written it down. He introduced himself very formally as the man who lived downstairs, which we already knew. Maybe that was what threw him off — he'd practiced the speech he was going to give, and we jumped on his lines. But he kept explaining to us that we couldn't use any of the water, even after we agreed that we wouldn't be using the water, because it drained through his apartment. It was important not to use the water.
Encouraged by this false camaraderie, the next time I saw him, it was still raining and as Amy and I went to the car, and I waved and said, "It's really coming down, isn't it?"
He looked at me like I'd just told him that fire was hot and said, "Yes, rain does come down." Like, "Where else would it come from, dumbass?" I felt embarrassed and stumbled for some "See you later," while he watched us pull out and drive off instead of going into his house. I drove off stuck with l'esprit de l'escalier, thinking things like, "Well, but sometimes it comes from the side when there's a lot of wind, jerkstore!" and "I'll get you!"
Last night, when I was heading to the store, I looked down right as he looked up and he'd obviously been staring off into space, because he had that start of someone caught thinking about something else. He was fumbling with his keys, and kept fumbling the entire time I was walking down the stairs, so that he was still there right as I was walking behind him. In my best conspiratorial guy voice I asked, "She lock you out, huh?" and he blushed crazily, and said, "No, I have key." But he practically slunk over to his truck, all the while grinning like he'd been caught watching Cinemax.
We're even, Crying Cowboy. Hope you learned your lesson.
Showing posts with label neighbors. Show all posts
Showing posts with label neighbors. Show all posts
Friday, September 23, 2011
Sunday, April 03, 2011
Carmenian

So, I met my neighbor Tibor, it's his car. I ask if I can take a picture and he says yes.
"It is the most popular old Mercedes model in Armenia," he says.
"Great, man. I've just got this buddy that studies Armenia."
"This is for the protests, on April 26. Tell your friend that I will have flags on it for the parade. I'm not going to just leave it like this."
"OK."
The twenty-sixth is the genocide protests.
"But America has not recognized the genocide because Turkey corrupts —"
"Yeah, and the NATO thing."
So I told him I'd take more pictures nearer to the protests, when he has the flags. I introduced myself, then scuttled back upstairs when I realized that I was, like, a good twelve years or so older than the kids and thus had nothing to talk about with them. ("I hear you like the G-6, like the G-6.")
Wednesday, February 17, 2010
The New Neighbors
We used to have fantastic neighbors. Emily, Carlo, Vic, they lived downstairs in One and were courteous, smart and able to share our weird parking alcove that does take real driving skill to navigate.
Then they got an apartment in Santa Monica, and we were sad to see them go, but hey, they were in a better place.
The downstairs sat empty for months, and we spent endless idle time speculating on who'd move in. The landlords wanted too much, some 1500 plus for a crappy two-bedroom where one of Vic's friends had once plunged through the drywall in a Spongebob costume. It had weird rats and roaches, because of which Emily never used the oven. Even after the landlords put in new fences, it still wouldn't be worth the money. (Though it was fun to stroll through during the three unlocked months.)
But down came the Vacancy sign, and in moved the new neighbors. The first thing we notice, they have an immense, white Benz SUV. And they have absolutely no idea how to fit it into the tiny spot their allotted. We lean over the railing and watch them edge in and pull back, edge in and pull back, edge in and pull back. After five minutes or so, they pull out and leave, and we go back inside.
A brief word about the parking: Anyone who's been to our place knows this, but the parking at our place is a little crazy. We all have assigned spaces, with most of the units getting two, three of us officially getting one, and finally Wayne, the weird college kid in Seven who gets none. Amy and I get one of the two spots that are hooked around underneath our house; the folks in One get the other. To get out of those two takes a three-point turn. Emily and Carlo were eminently able to zip under there with their Honda Fit or Vic's Toyota pick-up. The Benz SUV would be a challenge for anyone.
So, our new neighbors are terrible at that parking—they routinely pull in across the line into our spot, and seem to, even after a month and a half or so, to be constitutionally unable to pull into the spot with any confidence. In and out, in and out, hesitating like middle school romance.
Amy meets them first, introducing herself when I'm off doing something. They're French, she says, Josaine and something. She thinks they're husband and wife.
I meet them a couple of days later, just that perfunctory, Hey, I'm Josh, I live upstairs with Amy. Welcome to the neighborhood. France is pretty great. Oh, you're from Paris? Paris is pretty great. (I omit that all I know about Paris is really art museums and a weird Formula-1 themed hotel on the outskirts of town that was recommended when we failed to get a hostel lined up in advance. It's a bit like saying, Oh, you're from LA? I love Burbank!)
The woman is Josaine, the man something like Eduaward, and they have a kid named Herbert or something. The kid's, like, 25, or something, but the dad looks to be about the same age. I can't tell—the mom just has that frumpy black woman in her mid-40s look, and the kid looks just like his dad only the kid seems perpetually embarrassed and his dad wears work clothes on weekdays (the kid is always in baggy sports jerseys).
The problem with recounting this now is that given the number of stupid interactions I've had with them, I'm not having trouble not remembering the mother having great lolling frog eyes and a thin tongue poking past her wide frog mouth. And I think to myself, but "frog" is such a stereotypical French slur! Is it nationalism coloring my memory? Or worse, racism?
Luckily, every time I start to second-guess myself, they park us in and make me go down there and force them to move. It's either their huge SUV somehow wedged into the driveway so that no one else can get past or some friend they've let blockade us.
They way that we'd deal with this with Carlo and Emily is to walk down there, knock, and someone would immediately leap to and move the car. And if they had friends coming over, they'd ask us, let us know how long they were going to be there, then make sure that they were gone. We would do the same thing when we had friends come over. Like I said, Carlo and Emily, fantastic.
The way we'd deal with it when Wayne's predecessors, the Horde of Apartment Seven, would park us in was to tow them. We warned them a couple times, they ignored us, we towed them, the problem stopped. It pretty much severed any hope of being on good terms with them, but there were seven of them in a one-bedroom apartment without a kitchen.
In fact, and I don't want it to sound like I'm boasting, because I'd really rather not ever do this, we've had quite a few cars towed. But they were always blocking us in, and given that it takes a tow truck half an hour to forty-five minutes to come get someone here, it's not like it's unavoidable or capricious.
But we don't want that relationship with Josaine and Eduaward and Herbert. Instead, we'd like to all be cool, able to mingle at barbeques or whatever, maybe have them over to play board games which we will let them win (but not by too much). Try a Manhattan, Josaine! Play some foursquare, Herbert!
Instead, our interactions go like this: They have parked us in again. Usually I go down, since Amy would just as soon tow 'em. I bang on the door. I wait. Already, with each passing second, they're worse than Emily and Carlo. I check the time—I'm invariably late already—and maybe fiddle with my cell phone. Josaine comes out, head nodding.
"It's very difficult to park here," she says.
"Yeah, I know," I say. "But I've got to get out."
"It is very hard to find a place."
"Well, I usually have good luck up on Charnock, and there are always spaces on Venice."
"No, no, I looked on Charnock."
"Well, OK, but I have to get out. I have to go."
"Oh yes."
Then a pause.
A long pause.
"So, I have to go. You have to move your car now."
"Oh, yes."
"Ok." Then she climbs in and takes ten minutes pulling back and pulling up, pulling back and pulling up.
Not so egregious, but then it happens again. And I have the exact same interaction. And then again, and I'm telling her, Look, you really can't park your car here. I can't have this happen. Then it's her friend's car, her friend who's have through with having her hair braided so doesn't want to move the car. Then the same thing again, with the same exchange about Charnock and Venice. I know there are spaces around—my friends find them all the time. It's not easy parking, but there's parking, and part of living in a city is knowing how to find parking. If you're from Paris, you should either know how to park or know how to leave your car in one spot and use public transit. But no, her friend cannot find parking easily. And they're still parking over the line.
Each interaction I have with this woman, there's that central ambiguity: Does she not understand this because it's cultural or because she's stupid? For instance, is there a language ambiguity? She gives me that nod that I give folks speaking a language I don't understand, when they go too fast. But when I try to slow down and explain things, she brushes me off with a "Yes, yes." And then does the exact same thing again. Does she not understand that it's rude? Does she not understand how parking works here? She certainly picked a gauche car. Is she simply in over her head?
Or, and again I'm remembering her with lolling frog eyes and a weak neck, is she just stupid? She might just be a moron. She seemed genuinely upset when someone who had purported to live in One got some letter from immigration. But it was a name that neither Amy nor I recognized, not one of the folks who had lived there for years before us, not anyone who'd lived in our place, no one who'd lived in Seven… really, no one we knew at all. She just kept repeating that it was very serious, and that it was for someone who lived in One but was not her. Amy told her how to RTS a letter, but Josaine just seemed really peeved that we didn't understand that it was from immigration, and was very serious. Yeah, well, what do you want us to do? I don't know any Mohammed Nguimi. They haven't lived there in years, if ever. Let's just hope they hadn't already been deported.
Josaine bears the brunt of this bashing for two main reasons: That she's the primary terrible driver of the SUV, though both men seem equally inept. They just drive it less. And that she's been the primary conversation point. The men are certainly giving impressing the cliché that it's better to be suspected a fool than to open one's mouth and remove all doubt. I'm not sure how much English Eduaward knows, and I suspect that Herbert knows a lot more than he lets on. Helistens to Jay-Z over MC Solaar, so he can't be that alien, and I think it's him and his goofy friend that keep tagging everything.
Ah well. They looked horrified when they saw me coming back from the laundry room shirtless, so maybe they're just clueless petite bourgeoisie who need to have their car towed once or twice in order to assimilate properly.
Then they got an apartment in Santa Monica, and we were sad to see them go, but hey, they were in a better place.
The downstairs sat empty for months, and we spent endless idle time speculating on who'd move in. The landlords wanted too much, some 1500 plus for a crappy two-bedroom where one of Vic's friends had once plunged through the drywall in a Spongebob costume. It had weird rats and roaches, because of which Emily never used the oven. Even after the landlords put in new fences, it still wouldn't be worth the money. (Though it was fun to stroll through during the three unlocked months.)
But down came the Vacancy sign, and in moved the new neighbors. The first thing we notice, they have an immense, white Benz SUV. And they have absolutely no idea how to fit it into the tiny spot their allotted. We lean over the railing and watch them edge in and pull back, edge in and pull back, edge in and pull back. After five minutes or so, they pull out and leave, and we go back inside.
A brief word about the parking: Anyone who's been to our place knows this, but the parking at our place is a little crazy. We all have assigned spaces, with most of the units getting two, three of us officially getting one, and finally Wayne, the weird college kid in Seven who gets none. Amy and I get one of the two spots that are hooked around underneath our house; the folks in One get the other. To get out of those two takes a three-point turn. Emily and Carlo were eminently able to zip under there with their Honda Fit or Vic's Toyota pick-up. The Benz SUV would be a challenge for anyone.
So, our new neighbors are terrible at that parking—they routinely pull in across the line into our spot, and seem to, even after a month and a half or so, to be constitutionally unable to pull into the spot with any confidence. In and out, in and out, hesitating like middle school romance.
Amy meets them first, introducing herself when I'm off doing something. They're French, she says, Josaine and something. She thinks they're husband and wife.
I meet them a couple of days later, just that perfunctory, Hey, I'm Josh, I live upstairs with Amy. Welcome to the neighborhood. France is pretty great. Oh, you're from Paris? Paris is pretty great. (I omit that all I know about Paris is really art museums and a weird Formula-1 themed hotel on the outskirts of town that was recommended when we failed to get a hostel lined up in advance. It's a bit like saying, Oh, you're from LA? I love Burbank!)
The woman is Josaine, the man something like Eduaward, and they have a kid named Herbert or something. The kid's, like, 25, or something, but the dad looks to be about the same age. I can't tell—the mom just has that frumpy black woman in her mid-40s look, and the kid looks just like his dad only the kid seems perpetually embarrassed and his dad wears work clothes on weekdays (the kid is always in baggy sports jerseys).
The problem with recounting this now is that given the number of stupid interactions I've had with them, I'm not having trouble not remembering the mother having great lolling frog eyes and a thin tongue poking past her wide frog mouth. And I think to myself, but "frog" is such a stereotypical French slur! Is it nationalism coloring my memory? Or worse, racism?
Luckily, every time I start to second-guess myself, they park us in and make me go down there and force them to move. It's either their huge SUV somehow wedged into the driveway so that no one else can get past or some friend they've let blockade us.
They way that we'd deal with this with Carlo and Emily is to walk down there, knock, and someone would immediately leap to and move the car. And if they had friends coming over, they'd ask us, let us know how long they were going to be there, then make sure that they were gone. We would do the same thing when we had friends come over. Like I said, Carlo and Emily, fantastic.
The way we'd deal with it when Wayne's predecessors, the Horde of Apartment Seven, would park us in was to tow them. We warned them a couple times, they ignored us, we towed them, the problem stopped. It pretty much severed any hope of being on good terms with them, but there were seven of them in a one-bedroom apartment without a kitchen.
In fact, and I don't want it to sound like I'm boasting, because I'd really rather not ever do this, we've had quite a few cars towed. But they were always blocking us in, and given that it takes a tow truck half an hour to forty-five minutes to come get someone here, it's not like it's unavoidable or capricious.
But we don't want that relationship with Josaine and Eduaward and Herbert. Instead, we'd like to all be cool, able to mingle at barbeques or whatever, maybe have them over to play board games which we will let them win (but not by too much). Try a Manhattan, Josaine! Play some foursquare, Herbert!
Instead, our interactions go like this: They have parked us in again. Usually I go down, since Amy would just as soon tow 'em. I bang on the door. I wait. Already, with each passing second, they're worse than Emily and Carlo. I check the time—I'm invariably late already—and maybe fiddle with my cell phone. Josaine comes out, head nodding.
"It's very difficult to park here," she says.
"Yeah, I know," I say. "But I've got to get out."
"It is very hard to find a place."
"Well, I usually have good luck up on Charnock, and there are always spaces on Venice."
"No, no, I looked on Charnock."
"Well, OK, but I have to get out. I have to go."
"Oh yes."
Then a pause.
A long pause.
"So, I have to go. You have to move your car now."
"Oh, yes."
"Ok." Then she climbs in and takes ten minutes pulling back and pulling up, pulling back and pulling up.
Not so egregious, but then it happens again. And I have the exact same interaction. And then again, and I'm telling her, Look, you really can't park your car here. I can't have this happen. Then it's her friend's car, her friend who's have through with having her hair braided so doesn't want to move the car. Then the same thing again, with the same exchange about Charnock and Venice. I know there are spaces around—my friends find them all the time. It's not easy parking, but there's parking, and part of living in a city is knowing how to find parking. If you're from Paris, you should either know how to park or know how to leave your car in one spot and use public transit. But no, her friend cannot find parking easily. And they're still parking over the line.
Each interaction I have with this woman, there's that central ambiguity: Does she not understand this because it's cultural or because she's stupid? For instance, is there a language ambiguity? She gives me that nod that I give folks speaking a language I don't understand, when they go too fast. But when I try to slow down and explain things, she brushes me off with a "Yes, yes." And then does the exact same thing again. Does she not understand that it's rude? Does she not understand how parking works here? She certainly picked a gauche car. Is she simply in over her head?
Or, and again I'm remembering her with lolling frog eyes and a weak neck, is she just stupid? She might just be a moron. She seemed genuinely upset when someone who had purported to live in One got some letter from immigration. But it was a name that neither Amy nor I recognized, not one of the folks who had lived there for years before us, not anyone who'd lived in our place, no one who'd lived in Seven… really, no one we knew at all. She just kept repeating that it was very serious, and that it was for someone who lived in One but was not her. Amy told her how to RTS a letter, but Josaine just seemed really peeved that we didn't understand that it was from immigration, and was very serious. Yeah, well, what do you want us to do? I don't know any Mohammed Nguimi. They haven't lived there in years, if ever. Let's just hope they hadn't already been deported.
Josaine bears the brunt of this bashing for two main reasons: That she's the primary terrible driver of the SUV, though both men seem equally inept. They just drive it less. And that she's been the primary conversation point. The men are certainly giving impressing the cliché that it's better to be suspected a fool than to open one's mouth and remove all doubt. I'm not sure how much English Eduaward knows, and I suspect that Herbert knows a lot more than he lets on. Helistens to Jay-Z over MC Solaar, so he can't be that alien, and I think it's him and his goofy friend that keep tagging everything.
Ah well. They looked horrified when they saw me coming back from the laundry room shirtless, so maybe they're just clueless petite bourgeoisie who need to have their car towed once or twice in order to assimilate properly.
Sunday, February 24, 2008
Dude, fucking move your fucking car!
"And you know this....how? Ugh. Your answer to the OP was judgemental, dismissive, and totally out of line and you really ought to just apologize for it and move on, instead of trying to justify it. Period." from Iconomy.
This morning, we woke to find that some jackass had parked us in. While we were wrangling with tow companies (our usual one was having some sort of weird phone problems), the guy finally rolled out (one of our neighbors managed to wake him up, when my girlfriend's door pounding hadn't had an effect). This chubby, pale white dude, looking like a boiled potato in a tracksuit. Instead of just apologizing and moving his goddamned car, the guy kept trying to argue that his cross-ways parking was a legitimate spot and, you know, whatever, man. I just kinda went off from my balcony, yelling at him in this stream of profanity "Move your fucking car! Don't fucking argue with me, just move your fucking car! What the fuck are you doing, standing there like a fucking retard? Why the fuck aren't you moving your fucking car? Move your fucking car!" We'd been trying to leave, to go grocery shopping, for over an hour and the guy just had this vacant, open-mouthed stare while he's standing there with his door open, unable to process what the hell was going on.
And it was the same car that we've had towed previously for parking in that same exact fucking spot, man. So I've been keyed up all fucking morning, and I heartily endorse the idea of drinking. I think I'm gonna get drunk and go to the movies.
I even had to apologize to the poor woman from the police that I was on the phone with when the guy came out. Sheesh, man.
This morning, we woke to find that some jackass had parked us in. While we were wrangling with tow companies (our usual one was having some sort of weird phone problems), the guy finally rolled out (one of our neighbors managed to wake him up, when my girlfriend's door pounding hadn't had an effect). This chubby, pale white dude, looking like a boiled potato in a tracksuit. Instead of just apologizing and moving his goddamned car, the guy kept trying to argue that his cross-ways parking was a legitimate spot and, you know, whatever, man. I just kinda went off from my balcony, yelling at him in this stream of profanity "Move your fucking car! Don't fucking argue with me, just move your fucking car! What the fuck are you doing, standing there like a fucking retard? Why the fuck aren't you moving your fucking car? Move your fucking car!" We'd been trying to leave, to go grocery shopping, for over an hour and the guy just had this vacant, open-mouthed stare while he's standing there with his door open, unable to process what the hell was going on.
And it was the same car that we've had towed previously for parking in that same exact fucking spot, man. So I've been keyed up all fucking morning, and I heartily endorse the idea of drinking. I think I'm gonna get drunk and go to the movies.
I even had to apologize to the poor woman from the police that I was on the phone with when the guy came out. Sheesh, man.
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